ARE WE MONSTERS?

2009, In Progress

We might as well admit right away: the original material has been lost, even its authors have been lost, all that remains is the wave of a hand, the back of a head, a pair of sunglasses guarding eyes that will never stop closing.

Feed/Hack (provisory title)

2009, In Progress

In this new project i will explore the feedback concept.
Using analog tools i will use the signal loop and explore the optical and electronic reciprocity.

Arise (Zona)

2009, EXP, COL, 10'

Arise (Zona) comes from the feature film A Zona, by Sandro Aguilar and emerges up from all the cinematic dirtiness inherent to the filmic support. These images in the spoiled film, intended to emptiness and total forgetting, lead us to the ambiguity and indetermination between life and death, in which narrative and temporal logic are suspended.

Super 8 Series #3 “Memory”

2007, EXP, COL, 7'

The moment, the feelings, our past experiences and how it all seems to evade from our present memory. The relation between the musician and the filmmaker.

Super 8 Series #2

2006, INSTALATION, COL, 5'30"

Super 8 Series #2 emerges from a processing of an empty Super 8 film. The exponential exploration and manipulation of the material

Pocket Shorts - Light

2006, EXP, COL, 3'

Exploring the limitations of a mobile camera, this film try to explores the light and how the light affects optical and electronic an image.

Super 8 Series #1

2006, MVID, COL, 2'30"

Super 8 Series #1 is a music video for the project The Legendary Tiger Man. Explores the amatory use of Super 8 footage and the use of an amateur camera in family life and the concept of self-portrait.

Abstract#1

2003, EXP, COL, 4'30"

Experimental exercise about analog video error.

A História do Excremento, do Preservativo e da Minhoca

2003, FIC, B&W, 8'

An alternative to the television news. This strange way of interview and select subjects resembling the Italian directors Daniel Cipri and Franco Maresco.